Trois Nocturnes is an orchestral work in three movements by Claude Debussy, completed on 15 December 1899. Nocturnes may be connected to two earlier works, neither of which was ever finished, and the scores to both of which are lost. In 1892 the composer wrote that he was nearly finished with Trois Scènes au Crépuscule ("Three Twilight Scenes"), an orchestral triptych after poems by Henri de Régnier. Debussy also worked on a violin concerto for Eugène Ysaÿe, which he called "a study in gray painting". He abandoned both pieces when close to finishing them. Without their manuscripts, there is no certainty that material from either of these works was reused in Nocturnes, but it remains a distinct possibility.

Nocturnes may be connected to two earlier works, neither of which was ever finished, and the scores to both of which are lost. In 1892 the composer wrote that he was nearly finished with Trois Scènes au Crépuscule ("Three Twilight Scenes"), an orchestral triptych after poems by Henri de Régnier. Debussy also worked on a violin concerto for Eugène Ysaÿe, which he called "a study in gray painting". He abandoned both pieces when close to finishing them. Without their manuscripts, there is no certainty that material from either of these works was reused in Nocturnes, but it remains a distinct possibility.

The three movements were inspired by a series of impressionist paintings, also entitled Nocturnes by James Abbott McNeill Whistler.

Debussy wrote an "introductory note" to Nocturnes as follows:

The title Nocturnes is to be interpreted here in a general and, more particularly, in a decorative sense. Therefore, it is not meant to designate the usual form of the Nocturne, but rather all the various impressions and the special effects of light that the word suggests. 'Nuages' renders the immutable aspect of the sky and the slow, solemn motion of the clouds, fading away in grey tones lightly tinged with white. 'Fêtes' gives us the vibrating, dancing rhythm of the atmosphere with sudden flashes of light. There is also the episode of the procession (a dazzling fantastic vision), which passes through the festive scene and becomes merged in it. But the background remains resistantly the same: the festival with its blending of music and luminous dust participating in the cosmic rhythm. 'Sirènes' depicts the sea and its countless rhythms and presently, amongst the waves silvered by the moonlight, is heard the mysterious song of the Sirens as they laugh and pass on.

This is the moody and mysterious first movement entitled "Nuages" (Clouds)

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*video: Toshio Matsumoto's 1981 experimental film "Connection".

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