Love, it is often said, is a many splendored thing. In Manmarziyaan, director Anurag Kashyap and writer and creative producer Kanika Dhillon offer us a deep-dive into this splendor.
For years, I’ve exited Anurag’s films raging with frustration and wondering why he inevitably becomes indulgent. Manmarizyaan is no different. He’s so damn talented but he doesn’t know when to stop.
Like love, this film is messy and flawed and glorious. You have to sign up for all of it.

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The Film Companion is a web channel intended to promote Indian cinema through films review, interviews, discussions, video essays and analytical compilations. It is intended primarily for the purpose of encouraging informed discussions, criticism and review of cinema and towards such purpose the programs use short extracts of cinematograph films, sounds recording and photographic works. These clips and extracts are of a minimal nature and the use is not intended to interfere in any manner with their commercial exploitation of the compete work by the owners of the copyright. The use of works are in compliance with the fair dealing exception provided under Sec. 52 of the Copyright Act, and we asset our use of the works under the exception provided for criticism and review.