Mel Brooks, The Producers and the Ethics of Satire about N@zis
Tixubapi
2017-11-16
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Youre not Mel Brooks.\r
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Support thison Patreon: \r
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Sources: \r
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1. Kael, Pauline. “Onward and Upward with the Arts: Bonnie and Clyde” The New Yorker. 21 October, 1967. Print.\r
2. Rau, Petra. Our Nazis: representations of fascism in contemporary literature and film. Edinburgh: Edinburgh U Press, new. Print.\r
3. Gross, Andrew S., and Susanne Rohr. Comedy--Avant-Garde--Scandal: Remembering the Holocaust after the End of History. Vol. 183. Heidelberg: Universitätsverlag WINTER, new. Print.\r
4. Online, Spiegel. SPIEGEL Interview with Mel Brooks: “With Comedy, We Can Rob Hitler of his Posthumous Power?” SPIEGEL ONLINE, 16 Mar. 2006. Web. \r
5. Insdorf, Annette. Indelible Shadows: Film and the Holocaust. Cambridge: Cambridge UP, new. Print.\r
6. Gonshak, Henry. Hollywood and the Holocaust. Lanham, MD: Rowman & Littlefield, new. Print.\r
7. Reimer, Robert C. Does Laughter Make the Crime Disappear?: An Analysis of Cinematic Images of Hitler and the Nazis, 1940-2007. Senses of Cinema 52 (new). Web.\r
8. Cole, Robert. Anglo-American anti-fascist film propaganda in a time of neutrality: The Great Dictator, 1940. Historical Journal of Film, Radio and Television 21.2 (2001): 137-152. Print.\r
9. Rau, Petra. Our Nazis: Representations of Fascism in Contemporary Literature and Film. Edinburgh: Edinburgh UP, new. Print.\r
10. Variety Staff. Politician Jason Kander Puts Down ‘Alt-Right Leader Richard Spencer Over ‘Cabaret Tweet. Variety. Variety Magazine, 21 Mar. 2017. Web. 18 Apr. 2017. Web.\r
11. Packer, Sharon, Jody W. Pennington, and Aaron Barlow. A History of Evil in Popular Culture: What Hannibal Lecter, Stephen King, and Vampires Reveal about America. Santa Barbara, CA: Praeger, an Imprint of ABC-CLIO, LLC, new. Print.\r
12. Doherty, Thomas Patrick. Projections of War: Hollywood, American Culture, and World War II. New York: Columbia UP, 2005. Print.\r
13. Symonds, Alex. “An Audience for Mel Brookss The Producers: the Avant-garde of the Masses”, Journal of Popular Film and Television 34/1: 24-32. 2006. Print.\r
14. Gubar, Susan. “Racial Camp in the Producers and Bamboozled.” Film Quarterly 60/2: 26-37. 2006. Print.\r
15. Darryl Strawberry/Mel Brooks on Broadway/Stolen Lives. 60 Minutes. CBS. New York, New York, 15 Apr. 2001. Television.
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Support thison Patreon: \r
\r
\r
Sources: \r
\r
1. Kael, Pauline. “Onward and Upward with the Arts: Bonnie and Clyde” The New Yorker. 21 October, 1967. Print.\r
2. Rau, Petra. Our Nazis: representations of fascism in contemporary literature and film. Edinburgh: Edinburgh U Press, new. Print.\r
3. Gross, Andrew S., and Susanne Rohr. Comedy--Avant-Garde--Scandal: Remembering the Holocaust after the End of History. Vol. 183. Heidelberg: Universitätsverlag WINTER, new. Print.\r
4. Online, Spiegel. SPIEGEL Interview with Mel Brooks: “With Comedy, We Can Rob Hitler of his Posthumous Power?” SPIEGEL ONLINE, 16 Mar. 2006. Web. \r
5. Insdorf, Annette. Indelible Shadows: Film and the Holocaust. Cambridge: Cambridge UP, new. Print.\r
6. Gonshak, Henry. Hollywood and the Holocaust. Lanham, MD: Rowman & Littlefield, new. Print.\r
7. Reimer, Robert C. Does Laughter Make the Crime Disappear?: An Analysis of Cinematic Images of Hitler and the Nazis, 1940-2007. Senses of Cinema 52 (new). Web.\r
8. Cole, Robert. Anglo-American anti-fascist film propaganda in a time of neutrality: The Great Dictator, 1940. Historical Journal of Film, Radio and Television 21.2 (2001): 137-152. Print.\r
9. Rau, Petra. Our Nazis: Representations of Fascism in Contemporary Literature and Film. Edinburgh: Edinburgh UP, new. Print.\r
10. Variety Staff. Politician Jason Kander Puts Down ‘Alt-Right Leader Richard Spencer Over ‘Cabaret Tweet. Variety. Variety Magazine, 21 Mar. 2017. Web. 18 Apr. 2017. Web.\r
11. Packer, Sharon, Jody W. Pennington, and Aaron Barlow. A History of Evil in Popular Culture: What Hannibal Lecter, Stephen King, and Vampires Reveal about America. Santa Barbara, CA: Praeger, an Imprint of ABC-CLIO, LLC, new. Print.\r
12. Doherty, Thomas Patrick. Projections of War: Hollywood, American Culture, and World War II. New York: Columbia UP, 2005. Print.\r
13. Symonds, Alex. “An Audience for Mel Brookss The Producers: the Avant-garde of the Masses”, Journal of Popular Film and Television 34/1: 24-32. 2006. Print.\r
14. Gubar, Susan. “Racial Camp in the Producers and Bamboozled.” Film Quarterly 60/2: 26-37. 2006. Print.\r
15. Darryl Strawberry/Mel Brooks on Broadway/Stolen Lives. 60 Minutes. CBS. New York, New York, 15 Apr. 2001. Television.
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