Music video by Emmanuel Danann performing Adam Raised a Cain.

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Recorded at Col Records Studios
Video directed by Agustín Lastra

"Adam Raised a Cain"

In the summer that I was baptized,
My father held me to his side,
As they put me to the water,
He said how on that day I cried.
We were prisoners of love, a love in chains,
He was standin' in the door, I was standin' in the rain,
with the same hot blood burning in our veins,
Adam raised a Cain.

All of the old faces,
Ask you why you're back,
They fit you with position,
And the keys to your daddy's Cadillac,
In the darkness of your room,
Your mother calls you by your true name,
You remember the faces, the places, the names,
You know it's never over, it's relentless as the rain,
Adam raised a Cain.

In the Bible Cain slew Abel
And East of Eden he was cast,
You're born into this life paying,
for the sins of somebody else's past,
Daddy worked his whole life, for nothing but the pain,
Now he walks these empty rooms, looking for something to blame,
You inherit the sins, you inherit the flames,
Adam raised a Cain.

Lost but not forgotten, from the dark heart of a dream,
Adam raised a Cain

Bruce Springsteen was awarded the Medal of Freedom by President Barack Obama on November 22nd, 2016.
"I am the President, he is the Boss".

Adam Raised a Cain is the second track from Bruce Springsteen's fourth album Darkness on the Edge of Town.
The song is notable for its hard rock sound and the lyrics that use biblical images to explain the relationship between a father and son (symbolised as Adam and his son, Cain).

Springsteen calls this song "emotionally autobiographical." The bitter, but loving relationship between the father and son is similar to Springsteen's with his dad. Springsteen once said: "Our actual relationship was probably more complicated than how I presented it. Those songs were ways that I spoke to my father at the time, because he didn't speak and we didn't talk very much."
In the 2010 documentary The Promise: The Making of Darkness on the Edge of Town, sound mixer Chuck Plotkin described Springsteen's instructions for how the jarring assault of this song should sound next to the more melodic tunes on Darkness. Springsteen told Plotkin to think of a movie showing two lovers having a picnic, when the scene suddenly cuts to a dead body. This song, the singer explained, is that body.
Springsteen and the E Street Band played a longer five-minute version of the song on their 1986 live album Live/1975–85.

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