Theyyam ritualistic dance during the festival of Padayani
WildFilmsIndia
2014-08-12
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Theyyam is a ritual dance form of Kerela, glorifying the goddess. Themes revolve around the triumph of the goddess over the demon Daruka and other evil characters. Always performed by men, they also enact female roles wearing exotic make up and colorful costumes. Theyyam also known as Kaaliyattam, it is a ritual dance popular in north Kerala or the erstwhile Kolathunadu. Theyyam incorporates dance, mime and music and enshrines the rudiments of ancient tribal cultures which attached great importance to the worship of heroes and the spirits of ancestors. Of the over 400 Theyyams performed, the most spectacular ones are those of Raktha Chamundi, Kari Chamundi, Muchilottu Bhagavathi, Wayanadu Kulaveni, Gulikan and Pottan. These are performed in front of shrines, sans stage or curtains, by persons belonging to the Vannan, Malayan and other related castes.
'Thudangal' (the beginning) and 'Thottam' (the invocation) are the introductory rituals of the Theyyam or the Thira, as it is known in south Malabar. The headgear and other ornamental decorations are spectacular in sheer size and appearance. Karivalloor, Nileswaram, Kurumathoor, Parassini, Cherukunnu, Ezhom and Kunnathoorpadi in north Malabar are places where Theyyams are performed annually from December to April.
Padayani, also called Padeni, (from the word for military formations) is a traditional folk dance and a ritual art from the central portion of the Indian state of Kerala. A ceremonial dance involving masks, it is an ancient ritual performed in Bhagavati temples. The dance is performed in honor of Bhadrakaali. Meaning, a 'row of warriors', Padayani is an art form that blends music, dance, theatre, satire, facial masks, and paintings. It is part of worship of Bhadrakali and is staged in temples dedicated to the goddess from mid-December to mid-May. Padayani is unique to central Travancore, comprising the Pathanamthitta-Alappuzha-Kottayam belt of Kerala. Padayani is regarded as a remnant of the Dravidian forms of worship that existed before the advent of Brahmanism. Padayani is like Theyyam in north kerala. The percussion instruments used in Patayani are patayani thappu, chenda, para and kumbham.
Padyani is a modern form of a ritual dance( Kolam thullal) performed by the magico-medicine men of kerala (particularly Tinta sect of Ganaka community). This folk art has become a divine ritual tradition in association with festival occasions of Bhagavathy (Bhadrakaali) temples of Kerala. Since the origin of term padayani relates with military parade or rows of army, it is generally believed that it is evolved from a symbolic past reminiscent of fencing march of martial art (Kalari) by the Nair fighters and their Preceptors - Kalari Asans (Kaniyar Panicker) to frighten the enemy troop and to show their might. Eventually in Kollam, Pathanamthitta, Alappuzha and Kottayam districts of Kerala, the Nair folk became the performers of the modern form of Padayani art, but the design and making of costumes vested with Kaniyar people.
Padayani is very popular in Kerala, India, as a means, used to worship goddess kali. The story line comes as after killing daruka, an asura, goddess was in anger. The bhoothagana, servants of lord siva, danced in front of her to reduce her anger, else her anger would result in the destruction of the whole world. In memory of this incident, the participants wear masks (kolam) made of lathes of the areca tree using one to hundreds. The colours used to make kolam are purely natural. They are made of the green of the lath itself (kamukin pacha), kari (carbon), manjalpodi, sindooram etc.
A major attraction of padayani is the song associated with it. Traditionally only a single type of instrument is used to associate the song, thappu. The songs are in simple malayalam and have been handed down from the ancestors over the years. The art form starts with heating the musical instrument, thappu (Thappu Choodakkal). The instrument is faced towards the fire and the instrument tuned. After that, the art form starts. Various types of dances have different names such as madan, marutha, yakshi, pakshi, kalan kolam and bhairavi kolam. Marutha is the little ones and they are like a drama. They are dancing to make fun along with the songs.
Source: Wikipedia
This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from South Asia. The Wilderness Films India collection comprises of tens of thousands of hours of high quality broadcast imagery, mostly shot on HDCAM 1080i High Definition, HDV and XDCAM. Write to us for licensing this footage on a broadcast format, for use in your production! We are happy to be commissioned to film for you or else provide you with broadcast crewing and production solutions across South Asia. We pride ourselves in bringing the best of India and South Asia to the world... Reach us at wfi @ vsnl.com and [email protected].
'Thudangal' (the beginning) and 'Thottam' (the invocation) are the introductory rituals of the Theyyam or the Thira, as it is known in south Malabar. The headgear and other ornamental decorations are spectacular in sheer size and appearance. Karivalloor, Nileswaram, Kurumathoor, Parassini, Cherukunnu, Ezhom and Kunnathoorpadi in north Malabar are places where Theyyams are performed annually from December to April.
Padayani, also called Padeni, (from the word for military formations) is a traditional folk dance and a ritual art from the central portion of the Indian state of Kerala. A ceremonial dance involving masks, it is an ancient ritual performed in Bhagavati temples. The dance is performed in honor of Bhadrakaali. Meaning, a 'row of warriors', Padayani is an art form that blends music, dance, theatre, satire, facial masks, and paintings. It is part of worship of Bhadrakali and is staged in temples dedicated to the goddess from mid-December to mid-May. Padayani is unique to central Travancore, comprising the Pathanamthitta-Alappuzha-Kottayam belt of Kerala. Padayani is regarded as a remnant of the Dravidian forms of worship that existed before the advent of Brahmanism. Padayani is like Theyyam in north kerala. The percussion instruments used in Patayani are patayani thappu, chenda, para and kumbham.
Padyani is a modern form of a ritual dance( Kolam thullal) performed by the magico-medicine men of kerala (particularly Tinta sect of Ganaka community). This folk art has become a divine ritual tradition in association with festival occasions of Bhagavathy (Bhadrakaali) temples of Kerala. Since the origin of term padayani relates with military parade or rows of army, it is generally believed that it is evolved from a symbolic past reminiscent of fencing march of martial art (Kalari) by the Nair fighters and their Preceptors - Kalari Asans (Kaniyar Panicker) to frighten the enemy troop and to show their might. Eventually in Kollam, Pathanamthitta, Alappuzha and Kottayam districts of Kerala, the Nair folk became the performers of the modern form of Padayani art, but the design and making of costumes vested with Kaniyar people.
Padayani is very popular in Kerala, India, as a means, used to worship goddess kali. The story line comes as after killing daruka, an asura, goddess was in anger. The bhoothagana, servants of lord siva, danced in front of her to reduce her anger, else her anger would result in the destruction of the whole world. In memory of this incident, the participants wear masks (kolam) made of lathes of the areca tree using one to hundreds. The colours used to make kolam are purely natural. They are made of the green of the lath itself (kamukin pacha), kari (carbon), manjalpodi, sindooram etc.
A major attraction of padayani is the song associated with it. Traditionally only a single type of instrument is used to associate the song, thappu. The songs are in simple malayalam and have been handed down from the ancestors over the years. The art form starts with heating the musical instrument, thappu (Thappu Choodakkal). The instrument is faced towards the fire and the instrument tuned. After that, the art form starts. Various types of dances have different names such as madan, marutha, yakshi, pakshi, kalan kolam and bhairavi kolam. Marutha is the little ones and they are like a drama. They are dancing to make fun along with the songs.
Source: Wikipedia
This footage is part of the professionally-shot broadcast stock footage archive of Wilderness Films India Ltd., the largest collection of HD imagery from South Asia. The Wilderness Films India collection comprises of tens of thousands of hours of high quality broadcast imagery, mostly shot on HDCAM 1080i High Definition, HDV and XDCAM. Write to us for licensing this footage on a broadcast format, for use in your production! We are happy to be commissioned to film for you or else provide you with broadcast crewing and production solutions across South Asia. We pride ourselves in bringing the best of India and South Asia to the world... Reach us at wfi @ vsnl.com and [email protected].
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